: Fussy About Romance
I think the only thing harder to find than a great romance novel is a great western. Both genres have their devotees, but both are flooded by books written to a formula. Sometimes well written to that formula, but usually not able to stand on its own as a novel to someone not familiar with the conventions.
There's only two romance novelists that I must read: Georgette Heyer and Jennie Crusie. I've been allergic to romance as a genre ever since reading Harlequin and Barbara Cartland romances in my early teens. Even at the time I wasn't sure I liked them, but I could get them 10/$1.00 at the junk stores, and I was a voracious reader. Let's see...at 20 or more a week...almost every week...that's... Huh. Well, I probably read close to two thousand, between the ages of 13 and 15. When I say Harlequins I mean it as a generic description of modern romances. There were Mills & Boon and Emile Loring and all sorts of other brands mixed in. Aside from the occasional titillation of by-today's-standards-tame sex scenes, I think I read them trying to get a handle on relationships between men and women. My mother knew I was reading them, but never having read one herself, thought they were harmless junk food for the mind. Instead they were giving me brain cavities...OK, not a good image. But you can't read that much of anything and not see patterns emerge. Nowadays when those things happen they are called rape or kidnapping or spousal abuse. At the time it was "true love". Yes he'd done terrible things to her but 1) she deserved it for being a spoiled brat, (I think I've always hated Shakespeare from being forced to watch "Taming of the Shrew" several times) never mind that he was equally a jerk and not suffering; and 2) he realized at some point how much he loved her, so it was OK. I'm not even getting into the men in their 40's who fell in love with 17 year old girls. Some of them were blander and less creepy, but of course I don't remember them so distinctly. Mostly I ended up confused and suspicious of romance in real life.
My step-mother gave me access to her Heyers, which opened my eyes to really good writing and set a pretty high standard for guys I wanted to meet. The books were witty and amusing, with plots that had complexity and sub-plots, unlike the linear, formulaic books I'd been buying on my own.
The thing is, I like romance. I like happy endings, I like seeing people fall in love and try to understand each other, have misunderstandings and work things out. I just want them to be believable people who don't do unforgivable things to each other, at least not without addressing the issue and having some time spent apologising and groveling. "I love you" does not count.
Every so often over my (still voracious) reading career I've dipped a toe into the romance waters again. Out of several hundred that I've read since the Harlequin binge days, I have about 10 non-Heyer romances living on my shelves. Most of what I have are the one book the author wrote where the characters meet my standards for non-idiocy. One Karen Robards, two Jayne Anne Krentz, a couple Rosemary Edgehills...Those are still worth re-reading every so often. Several people on the Bujold list recommended Jenny Crusie and I made a mental note to check her out one of these days. Then Lois Bujold said she liked Crusie's writing, and since I respect Lois' writing so much, I rushed out and bought a Crusie. And I wasn't sorry. I love her tone of voice, the attitude the characters have, the plots, everything. "Welcome to Temptation" is my favorite book, but my favorite scene is in "Fast Women". "Faking It" is my 2nd favorite book, and, this shows you how good a writer she is, I even like her Harlequin romance, "Manhunting"!
The only thing I consistently don't like are the sex scenes. I don't mind the characters having sex, but I want them to close the bedroom door behind them and emerge later, flushed and relaxed and smiling. The thing is, if the the characters are so well written that they're like real people to me, I feel like a voyeur when I read them having sex. And if they're not like real people, then I don't care what they do. Crusie does funny, sexy scenes, they just make me squirm. So I read them through the first time, because there are plot points and character motivation in them sometimes, and then I can skim them on re-reading.
The absolutely best thing about Crusie is humor. Other than Georgette Heyer (and not a single other romance writer I've tried) nobody but Crusie can write a funny romance. At best there may be bits of humor sprinkled throughout the book, but overall the humor level doesn't get past a smile. I want an author who can make me giggle, chortle and guffaw. I also like that Crusie's heroines are usually in their 30's and 40's, have a job, and are not goddesses. They are self conscious about their appearance, worry about the future, have sarcastic thoughts, bad habits, are exasperated by their friends and families -- in short, they seem like real people; like real people I'd like to know.
They also don't have huge, deep secrets and tragic pasts. I flipped through a couple of books at Borders last night, authors that were recommended by romance readers who liked Crusie, and that seems to be the modern theme. Kidnap victims, child abuse victims, war veterans. I guess it's better than the old "taming" cliche, but, ugh. These people are too extreme. Crusie's characters are certainly eccentric, but only a little more than people you really know.
Right. Now my brain can drop that subject. Next time, matriarchies. I finished Martha Wells' "Gate of Gods" and Wen Spencer's "A Brother's Price" in the same week, and some ideas about matriarchies have been percolating through my brain.
I think the only thing harder to find than a great romance novel is a great western. Both genres have their devotees, but both are flooded by books written to a formula. Sometimes well written to that formula, but usually not able to stand on its own as a novel to someone not familiar with the conventions.
There's only two romance novelists that I must read: Georgette Heyer and Jennie Crusie. I've been allergic to romance as a genre ever since reading Harlequin and Barbara Cartland romances in my early teens. Even at the time I wasn't sure I liked them, but I could get them 10/$1.00 at the junk stores, and I was a voracious reader. Let's see...at 20 or more a week...almost every week...that's... Huh. Well, I probably read close to two thousand, between the ages of 13 and 15. When I say Harlequins I mean it as a generic description of modern romances. There were Mills & Boon and Emile Loring and all sorts of other brands mixed in. Aside from the occasional titillation of by-today's-standards-tame sex scenes, I think I read them trying to get a handle on relationships between men and women. My mother knew I was reading them, but never having read one herself, thought they were harmless junk food for the mind. Instead they were giving me brain cavities...OK, not a good image. But you can't read that much of anything and not see patterns emerge. Nowadays when those things happen they are called rape or kidnapping or spousal abuse. At the time it was "true love". Yes he'd done terrible things to her but 1) she deserved it for being a spoiled brat, (I think I've always hated Shakespeare from being forced to watch "Taming of the Shrew" several times) never mind that he was equally a jerk and not suffering; and 2) he realized at some point how much he loved her, so it was OK. I'm not even getting into the men in their 40's who fell in love with 17 year old girls. Some of them were blander and less creepy, but of course I don't remember them so distinctly. Mostly I ended up confused and suspicious of romance in real life.
My step-mother gave me access to her Heyers, which opened my eyes to really good writing and set a pretty high standard for guys I wanted to meet. The books were witty and amusing, with plots that had complexity and sub-plots, unlike the linear, formulaic books I'd been buying on my own.
The thing is, I like romance. I like happy endings, I like seeing people fall in love and try to understand each other, have misunderstandings and work things out. I just want them to be believable people who don't do unforgivable things to each other, at least not without addressing the issue and having some time spent apologising and groveling. "I love you" does not count.
Every so often over my (still voracious) reading career I've dipped a toe into the romance waters again. Out of several hundred that I've read since the Harlequin binge days, I have about 10 non-Heyer romances living on my shelves. Most of what I have are the one book the author wrote where the characters meet my standards for non-idiocy. One Karen Robards, two Jayne Anne Krentz, a couple Rosemary Edgehills...Those are still worth re-reading every so often. Several people on the Bujold list recommended Jenny Crusie and I made a mental note to check her out one of these days. Then Lois Bujold said she liked Crusie's writing, and since I respect Lois' writing so much, I rushed out and bought a Crusie. And I wasn't sorry. I love her tone of voice, the attitude the characters have, the plots, everything. "Welcome to Temptation" is my favorite book, but my favorite scene is in "Fast Women". "Faking It" is my 2nd favorite book, and, this shows you how good a writer she is, I even like her Harlequin romance, "Manhunting"!
The only thing I consistently don't like are the sex scenes. I don't mind the characters having sex, but I want them to close the bedroom door behind them and emerge later, flushed and relaxed and smiling. The thing is, if the the characters are so well written that they're like real people to me, I feel like a voyeur when I read them having sex. And if they're not like real people, then I don't care what they do. Crusie does funny, sexy scenes, they just make me squirm. So I read them through the first time, because there are plot points and character motivation in them sometimes, and then I can skim them on re-reading.
The absolutely best thing about Crusie is humor. Other than Georgette Heyer (and not a single other romance writer I've tried) nobody but Crusie can write a funny romance. At best there may be bits of humor sprinkled throughout the book, but overall the humor level doesn't get past a smile. I want an author who can make me giggle, chortle and guffaw. I also like that Crusie's heroines are usually in their 30's and 40's, have a job, and are not goddesses. They are self conscious about their appearance, worry about the future, have sarcastic thoughts, bad habits, are exasperated by their friends and families -- in short, they seem like real people; like real people I'd like to know.
They also don't have huge, deep secrets and tragic pasts. I flipped through a couple of books at Borders last night, authors that were recommended by romance readers who liked Crusie, and that seems to be the modern theme. Kidnap victims, child abuse victims, war veterans. I guess it's better than the old "taming" cliche, but, ugh. These people are too extreme. Crusie's characters are certainly eccentric, but only a little more than people you really know.
Right. Now my brain can drop that subject. Next time, matriarchies. I finished Martha Wells' "Gate of Gods" and Wen Spencer's "A Brother's Price" in the same week, and some ideas about matriarchies have been percolating through my brain.
